Exhibit a tribute to African-American mass migration
One hundred years ago, African-Americans began a mass exodus from the rural South. They headed north in search of economic opportunity and social equality. The Museum of Modern Art in New York is paying tribute to that movement. It is showing a rare exhibition of a series chronicling the phenomenon from artist Jacob Lawrence. He is the son of migrants.
His Great Migration series features 60 poignant narrative paintings. They are the centerpiece of the exhibition. It runs through Sept. 7.
Lawrence died in 2000. He was only 23 when he completed the works in 1941. The small tempera paintings depict various scenes of the multi-decade mass movement that began in 1915. They portray scenes of life and death, work, home and hardships for the millions of African Americans who relocated North. They were in pursuit of a better future.
The paintings are in bold colors. It also was 1941 when they first were exhibited at the Downtown Gallery in Manhattan. That is a borough of New York City. It marked the first time a black artist was represented by a New York gallery. Soon after, they entered the collections of MoMA and The Phillips Collection in Washington, DC. Each acquired half.
The exhibition, "One-Way Ticket: Jacob Lawrence's Migration Series and Other Visions of the Great Movement North," is the first time the entire series is on view at MoMA in 20 years. Phillips showed all 60 panels in 2008.
To put the paintings in historical context, the exhibition also includes video and audio recordings of performances by Duke Ellington and Billie Holiday; photographs by Dorothea Lange and Gordon Parks; and writings by Langston Hughes and Richard Wright. A special interactive website allows people to explore zoomable high-resolution images of all 60 panels.
In conjunction with the exhibition, the museum will hold a panel discussion led by Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, on how the legacy of segregation shapes issues of race, justice and public policy today. It also has commissioned 10 noted poets to create poetry based on Lawrence's series.
"The migration series is not history set in the past, but rather an ongoing phenomenon," said exhibition curator Leah Dickerman. "It's contemporary history focused on the experience of ordinary people and he tells it in a contemporary, almost cinematic way."
The series opens with an image of a chaotic crowd in a train station pushing toward three ticket windows marked Chicago, New York and St. Louis.
Lawrence was the son of migrants who moved to Harlem when he was 13.
"He often spoke of hearing stories of people 'coming up' from friends and family," said Dickerman. Lawrence spent months researching the Great Migration before embarking on the series, beginning by coming up with short captions for the scenes he planned.
In an image of a large group of migrants weighed down with heavy bags he simply states: "The migration gained momentum." Another of a migrant worker with his tenant landlord says "tenant farmers received harsh treatment at the hands of planters."
Among other reasons blacks left in droves were lynchings in the South and the freedom to vote in the North, Lawrence said in captions accompanying other pictures.
So many left that, "crops were left to dry and spoil...there was no one to tend to them," he says for a painting of a withering field.
"The works we've gathered in the show...testify to the importance of the migration as an extraordinary agent of cultural innovation, bringing the sounds and tastes and language of the South into a new urban framework," said Dickerman. "Out of this came new genres and scores of landmark works the very foundation for what we think of as the culture of urban America."
If the exhibition "sparks a conversation, we'll have done one thing about keeping our attention on one of the greatest issues of today," added museum Director Glenn Lowry.
Critical thinking challenge: Why is the exhibition entitled One-Way Ticket?