Centennial of US entrance into WWI lures visitors to museum In this Feb. 16, 2017 photo a docent walks past a French artillery piece at the National World War I Museum in Kansas City, Mo. (AP Photo/Orlin Wagner)
Centennial of US entrance into WWI lures visitors to museum
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Crossing a glass walkway that spans a field of 9,000 poppies, visitors to the official U.S. memorial to World War I are taken back in time. It was when tanks and air warfare were new. Hopeful flowers sprang up on the barren, trench-dotted battlefields. The landscape is where hundreds of thousands of soldiers died.
 
But this place is a museum in Kansas City. It is housed under a tower that rises 217 feet into the Missouri sky. The facility is topped by a giant flame and was the site of a remembrance March 6. It marked the 100-year anniversary of the United States entering the war.
 
The poppies that visitors pass while entering the museum represent the 9 million combat deaths of the Great War. About 116,000 were Americans.
 
"In Flanders fields the poppies blow. Between the crosses, row on row," goes a famous poem about the Belgian battlefields. Hundreds of thousands of soldiers died there. It was the war's Western Front.
 
With the centennial of the fighting drawing more attention to the war, more than 200,000 visited the museum last year. That was an increase of about 50 percent from three years earlier. The visitors came from more than 70 countries.
 
The site includes an Egyptian Revival-style monument. It was erected in a burst of postwar patriotism. About $2.5 million was raised in less than two weeks in 1919. That amount would be equal to about $35 million today. Children helped raise funds. They went door-to-door. They collected money. Their effort was "an early 20th century story of crowdsourcing," according to museum spokesman Mike Vietti.
 
The achievement was noteworthy. Allied commanders from Belgium, Great Britain, Italy, France and the U.S. gathered in 1921 to dedicate the site. It's located across the street from the Kansas City train station. More than half of U.S. troops passed through the station before being shipped overseas. The monument was completed five years later. A crowd of more than 150,000 turned out when it was done. They heard President Calvin Coolidge speak at the dedication.
 
But years of delayed upkeep followed. The site fell into disrepair. It had to be closed in 1994. A massive $102 million renovation followed. It was funded by a sales tax, bond issue and private donations. The outside was fixed. The design firm behind attractions such as Washington's Holocaust Memorial Museum was tapped to create a new museum. The facility would tell World War I's story of assassination, empires swept away and new nations born. The site is now known as the National World War I Museum and Memorial. It was made official in legislation that President Barack Obama signed. That was in 2014.
 
The museum's collection of documents and artifacts has a global breadth. It covers the period both before and after the U.S. entered the war. The conflict ended in 1918. That was with the Treaty of Versailles. But many historians believe the treaty's terms helped set the stage for World War II. That war began a generation later.
 
Among the items used to tell the complex story of the connection between the two wars is the tunic and cape of Paul von Hindenburg. He was a German commander and national hero. He later became Germany's president. In 1933, he appointed Adolf Hitler chancellor.
 
Visitors can also see the rapidly evolving weaponry. It led to widespread casualties. There's a British torpedo, a U.S.-made Naval mine, a life-size replica of a British biplane known as the Airco DH.2 and a French Renault tank. Vietti described the tank as a weapon of "terror as well as a weapon of war."
 
One exhibit highlights the damage an artillery shell would have done to a house in the French countryside. Another allows visitors to see inside replicas of the trenches. These were where young soldiers fought and often died. In the Horizon Theater, World War I film footage plays on a 100-foot screen. It rises above a full-scale tableau of no man's land.
 
The site's original museum now hosts rotating exhibitions. The latest highlights propaganda posters.
 
Matthew Naylor is the president and CEO of the museum. He keeps his grandfather's wartime shaving kit on display in his office. It was issued by the British. But it was made in Germany. He noted that the two countries were trading partners before the war.
 
The "fragility" of world relations at the time, Naylor said, has parallels to today that "some would say are ominous."

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